Last week Susan Yong gave a lecture at college. I really love her fluid and imaginative animations, we are so lucky to have her talk in depth about her process. She is such an interesting person too, she’s doing some really brilliant research at the Royal College at the moment about animation as therapy.
A few of us have our Shakespeare animations on the BBC/Art Council website THE SPACE. We also did interviews that you can see on the website too. Nice to revisit that project it was such a great collaboration. Thanks a lot to The Space, The RSC, Jo Morrison, Darryl, Steve and Birgitta!
Music by the talented Laura Stevens: http://laurastevenscomposes.blogspot.co.uk/
The last 2 weeks we had lectures from Phil Hunt from studio AKA and director Ben Hibon, not only were they lectures brilliant their advice and observations on our work was really accurate and very helpful. They were both really clear about what they thought needed changing to improve the story.
Thanks to them and Steve I’ve made some quite big changes to the story and I feel it’s really taking shape now, the improvements have helped me figure out exactly what I was trying to say with this film and I feel I’ve got some renewed confidence about the idea.
I also got more help from Ioli and she was so encouraging and really payed attention to the new idea, bringing new possibilities not just for the acting but for all the elements. She has a really great eye and was really positive about me retaining my personal style, experimenting and making the most of my strengths rather than worrying about my weaknesses.
The new animatic shows Trip, still having a bad time at school, but in the new version he is the only puppet and everyone else is 2D. The tattoo is his first attempt to be more 2D, and eventually his connection with tattoo artist Pepsi is what brings him from an isolated stop-motion world into the 2D world. I want to keep the 2D world loose and sketch with the essence of my line drawings. I hope I will improve my stop-motion animation by focusing on the single puppet, rather than spreading my attention too thinly over several puppets.
I feel I need to spend the money to get a more professional armature because I know there are definite limitations with my home-made versions, I’m stalling slightly because of the cost, but I know it will be worth it.