THE SPACE

A few of us have our Shakespeare animations on the BBC/Art Council website THE SPACE. We also did interviews that you can see on the website too. Nice to revisit that project it was such a great collaboration. Thanks a lot to The Space, The RSC, Jo Morrison, Darryl, Steve and Birgitta!Picture 2

 

http://thespace.org/items/e0001k02?t=ccj5g

Music by the talented Laura Stevens: http://laurastevenscomposes.blogspot.co.uk/The Space interview

Special Thanks

Now it’s done I’d like to sing a few people’s praises of all the people who were really helpful. Even though it was a micro short so many people offered me advice that was indispensable:

Shelley Page for setting a brief that I could really get excited about, and for recommending I look at Barry Purves’ Screenplay right at the beginning as well as the other great short animations she showed us!

Steve was a huge help at every stage, from the first storyboard to the last few days when he said “it’s finished, move on to the next project.”

Birgitta for her encouragement of the idea at the beginning and for setting the essay that made me take the time to properly research Kabuki and Bunraku.

Laura Stevens for the music she composed especially for this film. She was a dream to collaborate with!

Carlos (my mentor) encouraged me to take a risk and try out stop-motion. I was still wondering if I should animate it in Flash, but after he said that I had the confidence to go with the puppets.

Darryl’s advice was so brilliant, and he made time to talk to me about stop-motion. He was so passionate on the subject and gave me so much valuable information each time we spoke.

Amber for giving advice and encouragement and inspiration on everything from technical details to making the Arial puppet more beautiful.

My sister who watched and critiqued every version of my animation that I sent to her in New York, and my parents who listened to me go on about Kabuki for three months.

Ioli who engaged with my idea from the pre-production stage and gave me some great advice on the choreography and on the puppets themselves.

Maki Utsunomiya who gave me all the beautiful Japanese fabrics that I made the costumes out of.

Mahra for the wire and mesh.

Steve in the film and video department was so accommodating and put up with me and my puppets day after day.

Bea Hendry at the RSC for her reminder to focus on the characters not get to wrapped up in the set-design.

The Bard, for all his verse and prose.

And finally the stranger in the lift of Covent Garden tube station who I overheard talking about an exhibition on Kabuki that subsequently inspired my film. Thank you!

Royal College of Music

Yesterday the students from the Royal College of Music came and played us some really brilliant music that they composed for films. I’ve been in touch with the gifted Laura Stevens and she’s working on a piece for my animation. I’m really excited to see what she comes up with. It’s so great to have some original music composed for our films!

Here’s a link to Laura’s website: http://www.laurastevenscomposes.blogspot.co.uk/

She has composed some really beautiful music, I’m so glad she agreed to do some for me too!