I forgot to post this! We had a great time watching this at the beginning of the project. The blonde bombshell character has changed quite a lot from the Mae West impersonator she once was, but nonetheless there is definitely evidence of this performance in our film. Craig Russell actually lived with Mae West hence the accurate portrayal voice and all!
Speaking of Blondes. Steve reminded me of the Jayne Mansfield clip Birgitta showed in here lecture from “Girl Can’t Help It” I loved that lecture, and Mansfields another one who deserves a nod. God bless those Hollywood Blondes, don’t know where I’d be with out them. Walk that walk Jayney!
And one more Blonde with a sense of humour… Anna Nicole Smith. Well a darn good rendition of her. Now, this was made before the poor girl tragically died, so it’s meant in good humour. Anyway, take a few ounces of each of these three performances shake well and with luck something of that concoction might just appear our character.
I’ve been looking back at Medea (I posted Ninagawa’s theatre version earlier.) This is Pasolini and Maria Callas on the set of the Medea film. Her costumes are really wonderful, I want to bring some of this into Ariel’s costume. I like the cultural hybrid that makes up the film, Pasolini invented his own history, this is exemplified in the choice of music (parts are traditional Japanese music) and costume design.
I’ve been working on some lip-sync to Death Becomes Her. It’s one of my favourite films. It’s just so funny. I think seeing that as a child really shaped my imagination and humour, it was one of the few non-animated films I would actually sit through. I love Goldie’s voice, she doesn’t get on my nerves even when I hear it on repeat. I also think American dialogue is easier to sync. Is that possible? …“Divorce? In California? That’s exactly what she wants you to do!”